SKU: 20177013255
britax rear facing height limit

britax rear facing height limit Britax Poplar Convertible Car Seat

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Description

britax rear facing height limit Britax Poplar Convertible Car SeatBritax Poplar Convertible Car Seat Ready to gowith room to grow. The Britax Poplar Convertible Car Seat takes the guesswork out of moving up to the next stage. With its patented ClickTight Installation and ultra slim SpaceSaver design, it's made for easy, confident installs and a better fit in your back seat. This car seat supports extended rear facing up to 50 lbs, giving your child the safest ride for longer, and seamlessly transitions to forward

Britax Poplar Convertible Car Seat

Ready to go—with room to grow.

The Britax Poplar™ Convertible Car Seat takes the guesswork out of moving up to the next stage. With its patented ClickTight® Installation and ultra-slim SpaceSaver™ design, it's made for easy, confident installs and a better fit in your back seat. This car seat supports extended rear-facing up to 50 lbs, giving your child the safest ride for longer, and seamlessly transitions to forward-facing as they grow.

Why Parents Love It
✅ ClickTight® Installation – Install in 3 simple steps: open, thread & buckle, then click it closed
✅ Slim Yet Spacious – Just 17" across to help fit 3-across* without sacrificing comfort
✅ Extended Rear-Facing – Accommodates children up to 50 lbs and 49” in height
✅ Naturally Flame-Retardant Fabrics – Free from added FR chemicals and safe to machine wash and dry
✅ Peace of Mind Built-In – SafeCell® crumple zone, carbon steel frame, and V-shaped tether help manage crash energy effectively


Smart Safety Meets Everyday Convenience

  • 14-Position Quick-Adjust Headrest & Harness – Easily adapts to your growing child

  • 6-Position Recline – Ensures the most comfortable and secure fit in your vehicle

  • SafeCell® Technology – Built-in crumple zone helps absorb crash forces

  • Patented V-Shaped Tether – Minimizes seat rotation and forward movement

  • Reinforced Carbon Steel Frame – Adds strength and stability

  • 5-Point Safety Harness – Evenly distributes crash energy across strong bones

  • Dishwasher-Safe Cup Holders – Removable and easy to clean

  • Slim Design – Designed for easier 3-across fit in many vehicles*


Specifications

  • Product Dimensions: 20.5" L × 17" W × 23.5" H

  • Seat Area Depth/Width: 11" / 12"

  • Shoulder Width: 14"

  • Harness Slot Heights: 8" to 17" (14 positions)

  • Buckle Strap Depths: 4" – 7"

  • Rear-Facing Use: 5–50 lbs, under 49"

  • Forward-Facing Use: 22–65 lbs, under 49"


Britax Recommends

  • Always keep children rear-facing as long as possible, up to the maximum height or weight limit

  • Use the 5-point harness until your child outgrows it by height or weight

  • Always secure the top tether when installing forward-facing

Note: Britax cannot guarantee 3-across fitment in all vehicles. Always check fit prior to purchase.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 20177013255

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4.6 ★★★★★
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D
Verified Purchase
David R. Papke
Houston, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Lexington, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Phoenix, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Lowell, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Houston, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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