SKU: 78283303036
succulent with thin green leaves

succulent with thin green leaves #16 Echeveria Light Green

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Description

succulent with thin green leaves #16 Echeveria Light GreenThis Echeveria "Light Green" is a beautiful succulent. It has large fleshy oval shaped leaves which form a sharp tip at the terminus. The blue green color turns to pink on the tips and margins when this variety is grown in full sun. Echeveria "Light Green" maintains a glaucus appearance on new growth until it grows out or is rubbed off. This variety has yellow to orange flowers. Echeveria is a large genus of evergreen succulents in the family

This Echeveria "Light Green" is a beautiful succulent. It has large fleshy oval shaped leaves which form a sharp tip at the terminus. The blue-green color turns to pink on the tips and margins when this variety is grown in full sun. Echeveria "Light Green" maintains a glaucus appearance on new growth until it grows out or is rubbed off. This variety has yellow to orange flowers. 

Echeveria is a large genus of evergreen succulents in the family Crassulaceae native to Central America. These plants are rosette shaped and some can form shrub-like growth when allowed to grow large. Echeveria need well-draining soil and are prone to damping off if overwatered. Some varieties can handle frost but most can not survive cold, wet winters.

Plants in this genus prefer full sun to partial shade depending on desired coloration - full sun tends to bring out red or pink hues. However, too much direct afternoon sun can burn foliage. Leaves can be waxy or hairy, or even glaucate or farinose. Flowers appear in large inflorescences of bright yellow, orange, or red flowers. Echeveria can generally be propagated from leaf cuttings or offsets, but can also be grown from stem cuttings and seed.

Here's your opportunity to order exact succulent species at an awesome price!  We will continue to add new types as they become available, and we're pretty darn sure you won't find them cheaper anywhere!

We always do our best to ship the largest and healthiest succulents we have available.  But size and color may vary based on multiple factors including time of year, growing temps, length of days, and their growing seasons. Succulents generally slow down and almost stop growing during the coldest months of the year, but come spring and summer you can often see growth in just days.

If looking for exact Haworthias, Gasterias and Aloes, please see those pages specifically.

Some containers may have 1,2,3, and even 4 smaller rooted plants, this can also vary based on the species and the way they grow, vertical vs horizontal being possible factors.  Containers are basic plastic nursery stock with colors are usually orange or black, and approx. 2" tall and across the top.

Please remember these are juvenile specimens, they are nowhere near maturity, and any small imperfections will be outgrown in time.  Please see our multiple blogs and care instruction on potential soil displacement during shipping, and propagating many types of succulent leaves etc.

Unfortunately we cannot delay shipping on these exact types as our stock is always changing and what we have available today, may not be available tomorrow or next week/month.
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SKU: 78283303036

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David R. Papke
New York, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
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DoubtfulReader
Birmingham, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Draper, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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J. Christian
Draper, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
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Verified Purchase
Classics professor
Belleville, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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