SKU: 97594209199
hanging plants in wall

hanging plants in wall Air Plant V-Hanger Trio

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Description

hanging plants in wall Air Plant V-Hanger TrioThree pieces. One quietly stunning wall. The V Hanger Trio is a modern wall planter set of three a curated air plant display designed to turn any blank wall into a sculptural, plant forward focal point. It's Braid & Wood's most complete wall decor moment, and the best value we offer. Each V Hanger is a study in restraint: a perfect circle of powder coated steel, a hand finished leather strap, and a V shaped shelf carved from solid white ash hardwood

Three pieces. One quietly stunning wall.

The V-Hanger Trio is a modern wall planter set of three — a curated air plant display designed to turn any blank wall into a sculptural, plant-forward focal point. It's Braid & Wood's most complete wall decor moment, and the best value we offer.

Each V-Hanger is a study in restraint: a perfect circle of powder-coated steel, a hand-finished leather strap, and a V-shaped shelf carved from solid white ash hardwood that organically nests the included air plant at its center.

Together, three air plant wall hangers create a vertical or horizontal rhythm that brings architecture, warmth, and life to entryways, living rooms, bedrooms, offices, and the in-between spaces most home decor overlooks.

The trio arrives fully stacked and ready to style

  • 3 V-Hangers in your choice of size & colorway
  • 3 live air plants (Tillandsia Velutina) hand-selected to match
  • 3 custom Oval Wall Hooks designed to elevate the entire look of the piece

No sourcing nails. No hunting for plants. No second trip to the hardware store.

This is the version of the V-Hanger that gives you the full Braid & Wood moment. Modern wall decor, live air plants, and considered design, together in one box.

Modern wall decor for every room of your home:

•      Living room decor — above a sofa, console, or reading nook

•      Bedroom decor — over the bed or beside a dresser

•      Bathroom decor — air plants love the humidity

•      Dining room decor — a quiet alternative to art

•      Entryway decor — a warm first impression

•      Home office decor — a touch of life beside the desk

•      Hallways, nooks, and the in-between walls that deserve more

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SKU: 97594209199

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4.8 ★★★★★
Based on 11 reviews
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Product Reviews
M
Max
Los Angeles, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 10, 2000
M
M. J. Smith
Chelsea, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 28, 2001
I
I X Key
San Leandro, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 1, 2003
H
"hirofantv"
Phoenix, US
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
P
Pete Dempsey
Bozeman, US
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked. I would not suggest this book if you like Anne Carson. It will disappoint you!
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Reviewed in the United States on June 5, 2001

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