SKU: 89989055406
bow white dress

bow white dress Jane Summers Isabella Backless Short White Rehearsal Dinner and Wedding Dress 2 / White with Blush Pink Ribbon , female , adult

$24.12 $26.80
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Ships within 48 hours · Estimated delivery Sep 27 - Oct 2

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For Your Every Summer RSVP, with Code: SUMMER15

Description

bow white dress Jane Summers Isabella Backless Short White Rehearsal Dinner and Wedding Dress 2 / White with Blush Pink Ribbon , female , adultWith a modern fitted bodice and chic streamlined flared skirt, Jane Summers' signature Little White Dress was practically designed for twirling. The figure flattering fit and flare style and minimalist strap detail make this piece deceptively simple, until the bride to be turns around From Bridal Shower and Engagement Photos to Rehearsal Dinner and Wedding Reception, the dramatic backless detail ensures heads will be turning in every direction to

With a modern fitted bodice and chic streamlined flared skirt, Jane Summers' signature Little White Dress was practically designed for twirling. The figure flattering fit and flare style and minimalist strap detail make this piece deceptively simple, until the bride-to-be turns around…

From Bridal Shower and Engagement Photos to Rehearsal Dinner and Wedding Reception, the dramatic backless detail ensures heads will be turning in every direction to catch a glimpse of the elegant bride as she passes by.

Exuding femininity, modern designer style and couture inspired details, this stylish LWD is an ideal addition to the modern bride's Little White Dress Collection.

The chic décolletage is the perfect canvas for your favorite delicate necklace or dramatic drop earrings. Style with sleek stilettos for an elevated city hall or courthouse wedding dress.

The Isabella—redefining rehearsal dinner style one artfully tied bow at a time. 

—Jane

Ready to say "I do" to your statement-making rehearsal dinner dress? Simply select "Add to Cart" now and imagine the beautiful photos waiting to happen.

Why Brides Love the Isabella

Couture-inspired & designed for twirling during the first dance little white dress, ideal for an elegant rehearsal dinner dress, a garden party bridal shower or tea dress, after party and dress to change into after the ceremony dress.

Sweetheart neckline, fit and flare bridal shower dress with the prettiest blue ribbon tie detail for the bride who knows how to artfully incorporate her signature wedding colors into her short, white wedding weekend dress collection.

Your rehearsal dinner dress reimagined — tied with a graceful bow, a wink to your wedding color, and a nod to something blue.

Details

  • Fabric: Sculptural mini faille; airy satin ribbons (custom colors available - [email protected]); hidden back zipper, dry clean only
  • Silhouette & Length: Sweetheart neckline with spaghetti straps, designed to twirl, couture inspired above the knee length skirt; dramatic back detail (backless) or with ribbon tie detail
  • Wedding Events: Bridal Shower, Civil Ceremony, City Hall Wedding, Engagement Photos, Rehearsal Dinner, Cocktail Hour, Bridesmaid Luncheon, Wedding Reception, First Dance, After Party, Honeymoon, City, Outdoor, Beach or Destination Wedding Themes
  • Sizes: 2–12 (see size chart). Rush inquiries: [email protected]
  • Ordering & Shipping: Crafted in NYC, please allow 4–6 weeks for delivery

FAQs

Can this dress be backless?
Absolutely. Simply select "White No Ribbon" when choosing the color you would like to order.

Can the ribbon colors be customized?
Yes! We do offer custom ribbon colors and will do our very best to offer a color that works with your wedding theme and colors. It's also available with a White Ribbon if you prefer the ribbon tie detail but don't want a contrasting color, simply select this lovely little link to ask Jane about custom colors.

Does the Isabella run true to size?
Yes, the Isabella runs true to size and is available in sizes 2–12. Please consult the size chart to find the perfect fit for your engagement photos, first dance, or after-party look.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 89989055406

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4.0 ★★★★★
Based on 24 reviews
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Product Reviews
D
Verified Purchase
Doug S.
Chelsea, US
★★★★★ 5
One Of My Top Ten Movies
It's a Terry Gilliam masterpiece that blends a touch of Monty Python, Twilight Zone, and Broadway! Worth the watch!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 3, 2026
T
Verified Purchase
Tripp Moore
Birmingham, US
★★★★★ 5
Visually Brilliant, Darkly Funny, and Still Uncomfortably Relevant
I rented Brazil through Amazon primarily because I’d heard it described as a dystopian sci-fi classic, but I wasn’t fully prepared for just how strange, creative, and visually dense this movie actually is. It feels like George Orwell had a stress dream after getting trapped inside a malfunctioning government office building designed by someone obsessed with ducts and paperwork. The film does an incredible job blending dark comedy, bureaucracy, paranoia, retro-futurism, and outright absurdity into something that somehow still feels coherent. The world-building is fantastic in a very grimy, claustrophobic way where technology exists everywhere but almost none of it works properly. Everything feels intentionally inefficient and overcomplicated, which makes the setting weirdly believable. Jonathan Pryce does a great job playing a character slowly unraveling under the weight of an increasingly surreal system, and Robert De Niro’s appearance is memorable despite limited screen time. The production design is honestly one of the standout elements of the entire film. Nearly every scene has some strange visual detail happening in the background that adds to the oppressive but oddly humorous atmosphere. This definitely is not a fast-paced mainstream sci-fi movie, though. The pacing can feel slow at times, and the tone swings between satire, anxiety, fantasy, and bleakness in ways that probably won’t work for everyone. It’s the kind of movie where you occasionally stop and think, “What exactly am I watching?” while still wanting to keep watching. The Amazon streaming quality itself was good with no playback issues during my rental, and the film benefits from a decent screen because there’s so much visual detail packed into the sets and cinematography. Overall, Brazil is one of those movies that feels increasingly relevant the older it gets. Strange, unsettling, funny, visually inventive, and much more layered than I expected.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 23, 2026
J
Verified Purchase
Joel Bradford
Lake Worth, US
★★★★★ 4
Beautiful, glorious, and depressing but not without levity
Probably Gilliams most serious film, a story of a dreamer in a dystopian bureaucratic future, plagued by monotony and endless paperwork, our protagonist (played by Jonathan Pryce) isn't sure what he wants in his life, but he knows he wants something different. When the Department of Information Retrieval disappears the wrong person (played by Robert De Niro), our hero goes to reimburse the widow and discovers a woman living in the same building who looks like the woman out of his dreams (played by Kim Greist). Really stellar performances by Pryce, and a gaggle of supporting actors such as Ian Holm, Michael Palin, Kathrine Helmond, and Bob Hoskins. Greists performance is probably the weakest, but she does enough for the role that the critique of it amounts to a nit pick really. While this film is considered a cult classic, I would qualify it even less and say its just a classic, full of symbolism with a increasingly repressive tone throughout balanced by Gilliams puncturing, dark humor.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 29, 2024
M
Verified Purchase
Mr. Watkins
Alexandria, US
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 27, 2026
M
Verified Purchase
***moviemaker***
Lake Worth, US
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
] On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters. (Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.) All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut. Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985. I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail: *In the 132-minute version you cut from Sam in bed with Jill, police sack goes over head, then CUT TO Pull off police sack to reveal Sam in Torture Chamber/Interrogation chair. This one cut is simply brilliant and very powerful. In the Criterion Version you have the added scene of Mr. Helpman as Father Christmas (completely out of charcater from the rest of the film) and the whole interrogation scene of Sam hanging from the rack inside the police/mail pouch which becomes narratively redundant and dilutes the impact of the final scene. *To end it with cooling tower/interrogation room fade to clouds was a great Gilliam wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to the European cut of just credits over cooling tower/interrogation room. *The Samurai Scene is divided into 3 separate scenes in the 132-minute version versus 1 LONG scene in the European cut. And you know what? Like most things, it works better in 3's. *The 132-minute version cuts straight to the Dinner Scene with Ida (his mother) ordering numero deux, trois, etc. while the European version has the entrance to the restaurant of going through the metal detector which really doesn't add anything and is again a bit redundant when the bomb does eventually go off in the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert. *And finally I just love that the 132-minute version opens on those clouds (outtakes from The Never-Ending Story) then goes to the Central Services advert about Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version also has the clouds opening (The Original European Cut didn't) but it's funny because the Studio asked Gilliam to start off with the clouds for the US Cut and he actually prefers it as quoted in his Director's commentary. Hilarious. Little changes that add up to a tighter and overall, better film.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 12, 2011

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